1. Chekhov’s Gun

    Nothing ever absolutely has to happen. The gun
    doesn’t have to be fired. When our hero sits

    on the edge of his bed contemplating the pistol
    on his nightstand, you have to believe he might

    not use it. Then the theatre is sunk in blackness.
    The audience is a log waiting to be split open. The faint

    scuff of feet. Objects are picked up, shuffled away.
    Other things are put down. Based on the hushed sounds

    you guess: a bed, some walls, a dresser. You feel
    everything shift. You sense yourself being picked up,

    set down. A cone of light cracks overhead. The audience’s
    eyes flicker toward you like droplets of water.


    by Matt Rasmussen.

     
  2. Epitaph

    Beyond the traceries of the auroras,
    The fires of tattered sea foam,
    The ghost-terrain of submerged icebergs;
    Beyond a cinder dome’s black sands,
    Beyond peninsula and archipelago,
    Archipelago and far-flung islands,
    You have made of exile a homeland,
    Voyager, and of that chosen depth, a repose.

    The eel shimmers and the dogfish darts,
    A dance of crisscrosses and trespasses
    Through distillate glints and nacreous silts,
    And the sun, like fronds of royal palm
    Wind-torn, tossed, lashes upon the wake,
    But no lamplight mars or bleaches your realm,
    A dark of sediment, spawn, slough, and lees,
    Runoff, pitch-black, from the rivers of Psalms.

    by Eric Pankey

     
  3. On Silence

    Is it the Garcia Lorca kind
    faithful as a cricket’s
    tune about a boy fishing
    in a pool of rainwater
    for his lost voice
    praying it’ll sing back
    so he can wear it
    on his finger again
    like a wedding ring?

    Maybe it’s the anti-parakeet
    Nicanor Parra kind
    remorseful as a memoir
    that survived four wars
    half a dozen sexually
    transmitted depressions
    insomnia-
    inspired hallucinations
    and a dedication to
    its remaining readers
    last count forty-five
    asking them to burn each page
    upon reading memories
    it had tried to capture

    unless it’s the Paz kind
    not Paz-be-with-you of olden
    days difficult now
    to digest Paz or any Zense
    of peace without Belano or Bolaño
    pearly-gate-crashing in an Impala
    slingshooting saints out
    of their poses harping
    on angels reciting bad poetry
    aloud anything to disturb
    the last of the angry gods’
    siesta atop a mountain of ashes
    once rich without meaning.


    by R. Zamora Linmark

     
  4. And You Thought You Were The Only One

    Someone waits at my door. Because he is
    dead he has time but I have my secrets—

    this is what separates us from the dead.
    See, I could order take-out or climb down

    the fire escape, so it’s not as though he
    is keeping me from anything I need.

    While this may sound like something I made up,
    it is not; I have forgotten how to

    lie, despite all my capable teachers.
    Lies are, in this way, I think, like music

    and all is the same without them as with.
    The fluid sky retains regret, then bursts.

    He is still there, standing in the hall, insisting
    he is someone I once knew and wanted,

    come laden with gifts he cannot return.
    If I open the door he’ll flash and fade

    like heat lightning behind a bank of clouds
    one summer night at the edge of the world.


    by Mark Bibbins.

     
  5. Anthem

    After the Fourth of July

    On this night of the mid-
    summer festival of fire,
    where liquid explosives
    look like the arch and ache
    of the willow tree

    so near your grave, on this
    night of the awaiting mid-
    wife who lulled you in-
    to this world, the light
    all violet because the Earth and stars
    inclined toward each other,
    she also sleeps, she who was
    your first deliverer, guiding you out

    of your mother—her bluing
    skin no small sign of the future
    cyanosis of her spirit for no
    small journey was it to this
    country to bring you to birth
    in this torch

    song heat and an anthem of a free
    nation’s conception of combustions:
    rosins, petroleum, tallow, arsenic
    and worse, as you, too, fell from the sky

    of her body with me
    a microscopic egg inside—
    half the composition
    that made up my own
    toss and tumble to this crash
    of ground I sit over and bless
    while you lie under, under
    the willow, under this world
    that no midwife
    nor wavelength can under-
    standably reach. So I stand

    in this over-
    determined fire forced out
    like bullets upon a target—
    the pulled trigger releasing
    the hammer that strikes
    the impacted mixture—
    hailstorm and hymn

    of memories. And the outstretched womb
    involutes and the abdominal wall tightens
    and inside all abandoned encasements
    the night over the day darkens.



    By Susan Hahn.

     
  6. Canary

    for Michael S. Harper

    Billie Holiday’s burned voice
    had as many shadows as lights,
    a mournful candelabra against a sleek piano,
    the gardenia her signature under that ruined face.

    (Now you’re cooking, drummer to bass,
    magic spoon, magic needle.
    Take all day if you have to
    with your mirror and your bracelet of song.)

    Fact is, the invention of women under siege
    has been to sharpen love in the service of myth.

    If you can’t be free, be a mystery.

    By Rita Dove.

     
  7. Shooting Rats at the Bibb County Dump

    Loaded on beer and whiskey, we ride
    to the dump in carloads
    to turn our headlights across the wasted field,
    freeze the startled eyes of rats against mounds of rubbish.

    Shot in the head, they jump only once, lie still
    like dead beer cans.
    Shot in the gut or rump, they writhe and try to burrow
    into garbage, hide in old truck tires,
    rusty oil drums, cardboard boxes scattered across the mounds,
    or else drag themselves on forelegs across our beams of light
    toward the darkness at the edge of the dump.

    It’s the light they believe kills.
    We drink and load again, let them crawl
    for all they’re worth into the darkness we’re headed for.


    By David Bottoms

     
  8. Nights

    Drunk and weeping. It’s another night
    at the live-in opera, and I figure
    it’s going to turn out badly for me.
    The dead next door accept their salutations,
    their salted notes, the drawn-out wailing.
    It’s we the living who must run for cover,
    meaning me. Mortality’s the ABC of it,
    and after that comes lechery and lying.
    And, oh, how to piece together a life
    from this scandal and confusion, as if
    the gods were inhabiting us or cohabiting
    with us, just for the music’s sake.


    By Harvey Shapiro

     
  9. Invictus

    Out of the night that covers me,
    Black as the Pit from pole to pole,
    I thank whatever gods may be
    For my unconquerable soul.

    In the fell clutch of circumstance
    I have not winced nor cried aloud.
    Under the bludgeonings of chance
    My head is bloody, but unbowed.

    Beyond this place of wrath and tears
    Looms but the Horror of the shade,
    And yet the menace of the years
    Finds, and shall find, me unafraid.

    It matters not how strait the gate,
    How charged with punishments the scroll,
    I am the master of my fate:
    I am the captain of my soul.


    By William Ernest Henley

     
  10. After a Greek Proverb

    Ουδέν μονιμότερον του προσωρινού


    We’re here for the time being, I answer to the query—
    Just for a couple of years, we said, a dozen years back.
    Nothing is more permanent than the temporary.

    We dine sitting on folding chairs—they were cheap but cheery.
    We’ve taped the broken window pane. TV’s still out of whack.
    We’re here for the time being, I answer to the query.

    When we crossed the water, we only brought what we could carry,
    But there are always boxes that you never do unpack.
    Nothing is more permanent than the temporary.

    Sometimes when I’m feeling weepy, you propose a theory:
    Nostalgia and tear gas have the same acrid smack.
    We’re here for the time being, I answer to the query—

    We stash bones in the closet when we don’t have time to bury,
    Stuff receipts in envelopes, file papers in a stack.

    Nothing is more permanent than the temporary.

    Twelve years now and we’re still eating off the ordinary:
    We left our wedding china behind, afraid that it might crack.
    We’re here for the time being, we answer to the query,
    But nothing is more permanent than the temporary.


    By A. E. Stallings